We’re nearing the end of spooky season and if you haven’t gotten your fill of scary stories, here are some to keep you in the spirit of witches, hauntings, and monsters:
The Haunting of Hill House by Shirley Jackson
“An 80-year-old mansion harboring dark secrets comes to menacing life in this classic spine-tingling tale from Shirley Jackson. Anthropologist and ghost hunter Dr. John Montague invites three strangers to stay in haunted Hill House for the summer. One of the guests is 32-year-old Eleanor, for whom three months in a haunted house is preferable to caring for her invalid mother. Soon, Eleanor begins to see and hear things that the other guests cannot. Is it all in her imagination, or is she the only one who can perceive the evil that lurks in Hill House?”
A Haunting on the Hill by Elizabeth Hand
“Hand’s new novel revisits the infamous haunted house from Shirley Jackson’s classic The Haunting of Hill House. Holly, a struggling playwright looking to flesh out her witchy comeback, thinks that Hill House, the eerie mansion she’s stumbled across in Upstate New York, would be the perfect place to finish her play. She rents the house and takes her partner Nisa, a singer; their friend, sound guy/actor Stevie; and theater legend Amanda along, despite warnings and a disturbing first visit. The house rapidly reveals itself to be a malevolent force, playing on the past traumas and insecurities of its guests with typically devastating consequences.”
I’m Thinking of Ending Things by Iain Reid
“It’s snowing, and the unnamed narrator is traveling with her new boyfriend Jake to visit his parents at the family farm. The novel’s vague title seems to become clearer as the narrator repeatedly ponders calling off their relationship. While this revelation may not have arrived at the best of times, it’s quickly apparent that a failed relationship is the least of her problems. When the couple arrives at their destination, Jake’s parents are awkward, and the evening goes from strange to unsettling as the narrator explores the setting of Jake’s childhood. When the pair drive home, the weather takes a turn for the worse. Jake turns off the highway and parks by an empty high school. He goes inside, leaving the narrator alone and frightened. When she enters the building, her vague sense of foreboding turns into outright terror. Interspersed throughout are snatches of conversation about some unknown act of violence that only heightens the feeling of unease.”
“When the Creed family’s beloved cat, Winston Churchill, dies, Dr. Louis Creed — on the instructions of his elderly neighbor — buries the animal not in the “Pet Sematary” where local children inter their deceased pets, but rather in the haunted Indian burial ground behind it. The next day, a changed Churchill comes back, a little smellier and more vicious than before. What will happen when a person dies and is buried in the same area?”
Nothing But Blackened Teeth by Cassandra Khaw
“Four friends gather at a Heian-era mansion in the Japanese countryside to celebrate the elopement of two of their group. From the start, something is off. There’s no paper trail of their rental, for reasons the owner makes vague; more unsettling is that this house has a haunted history. A thousand years ago, a bride awaited her groom at the site; he never arrived. She made her guests bury her alive under the building’s foundation so she could await him forever. Every year since, it is said, a young woman is sacrificed to help the lost groom find his way back to his beloved. This short novel, immersed in unease and oozing menace, is engrossing and methodically paced. The atmosphere, the characters, and their strained, complicated relationships are carefully constructed and slowly revealed, until the group finds itself in the middle of a nightmare, stalked by a faceless woman in white as they fight to leave the mansion alive. The conclusion will leave all unsettled, haunting both characters and readers.”
“In 1915, Montana allows unmarried, Black women the opportunity to claim a homestead, so, having lived her entire life in a California farming community with her parents, Adelaide Henry, 31, sets off. But before she leaves, Adelaide places her murdered parents in bed and burns the house down. Taking only an overnight bag and a heavy, securely locked trunk containing her family’s curse, one that she is now solely responsible for controlling, Adelaide will attempt to flee her past while still shackled to it, thus setting LaValle’s latest, a pervasively uneasy and brilliantly plotted horror-western hybrid, in absorbing motion. Readers are led to Big Sandy to meet its marginalized and outcast citizens, feel the wide open, unforgiving landscape, and watch the captivating drama, both real and supernatural, unfold. Told with a pulp sensibility, this masterfully paced tale, with short chapters, heart-pounding suspense, a monster that is both utterly terrifying and heartbreakingly beautiful, and a story line focused on the power of women, bursts off the page.”
-Linnea
Read it or Weep 